Five poems by writers of colour
Last week in solidarity with the unrest in America and elsewhere I sent out a daily poem by writers of colour in my newsletter. I thought I would collate them for this post. You can donate to Black Lives Matter here.
Monday
A Black Man Talks of Reaping
I have sown beside all waters in my day.
I planted deep, within my heart the fear
that wind or fowl would take the grain away.
I planted safe against this stark, lean year.
I scattered seed enough to plant the land
in rows from Canada to Mexico
but for my reaping only what the hand
can hold at once is all that I can show.
Yet what I sowed and what the orchard yields
my brother's sons are gathering stalk and root;
small wonder then my children glean in fields
they have not sown, and feed on bitter fruit.
Tuesday
American Sonnet for My Past and Future Assassin [“Probably twilight makes blackness dangerous”]
Probably twilight makes blackness dangerous
Darkness. Probably all my encounters
Are existential jambalaya. Which is to say,
A nigga can survive. Something happened
In Sanford, something happened in Ferguson
And Brooklyn & Charleston, something happened
In Chicago & Cleveland & Baltimore & happens
Almost everywhere in this country every day.
Probably someone is prey in all of our encounters.
You won’t admit it. The names alive are like the names
In graves. Probably twilight makes blackness
Darkness. And a gate. Probably the dark blue skin
Of a black man matches the dark blue skin
Of his son the way one twilight matches another.
Wednesday
A Small Needful Act
by Ross Gay
Is that Eric Garner worked
for some time for the Parks and Rec.
Horticultural Department, which means,
perhaps, that with his very large hands,
perhaps, in all likelihood,
he put gently into the earth
some plants which, most likely,
some of them, in all likelihood,
continue to grow, continue
to do what such plants do, like house
and feed small and necessary creatures,
like being pleasant to touch and smell,
like converting sunlight
into food, like making it easier
for us to breathe.
Thursday
How Can Black People Write About Flowers at a Time Like This
dear reader, with our heels digging into the good
mud at a swamp’s edge, you might tell me something
about the dandelion & how it is not a flower itself
but a plant made up of several small flowers at its crown
& lord knows I have been called by what I look like
more than I have been called by what I actually am &
I wish to return the favor for the purpose of this
exercise. which, too, is an attempt at fashioning
something pretty out of seeds refusing to make anything
worthwhile of their burial. size me up & skip whatever semantics
arrive to the tongue first. say: that boy he look like a hollowed-out
grandfather
clock. he look like a million-dollar god with a two-cent
heaven. like all it takes is one kiss & before morning,
you could scatter his whole mind across a field.
Friday
Ars Poetica #100: I Believe
Poetry, I tell my students,
is idiosyncratic. Poetry
is where we are ourselves
(though Sterling Brown said
“Every ‘I’ is a dramatic ‘I’”),
digging in the clam flats
for the shell that snaps,
emptying the proverbial pocketbook.
Poetry is what you find
in the dirt in the corner,
overhear on the bus, God
in the details, the only way
to get from here to there.
Poetry (and now my voice is rising)
is not all love, love, love,
and I’m sorry the dog died.
Poetry (here I hear myself loudest)
is the human voice,
and are we not of interest to each other?